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Share it or Nah? Dog Intro 02 My Life (Feat.
Chinky) 03 Where Da Hood At 04. Get It On The Floor (Feat. Swizz Beatz) 06. Come Prepared (Skit) 07. Shot Down (Feat.
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50 Cent & Styles P.) 08. Bring The Noize 09. Untouchable (Feat. Sheek Louch, Syleena Johnson, Infa-Red, Cross & Drag-On) 10. Fuck Y'All 11. Ruff Radio (Skit) 12. We're Back (Feat.
Dmx Grand Champ Free Download
Eve & Jadakiss) 13. Ruff Radio 2 (Skit) 14. Rob All Night (If I'm Gonna Rob) 15. We Go Hard (Feat. We 'Bout To Blow (Feat. Big Stan) 17. Gotta Go (Skit) 19.
Don't Gotta Go Home (Feat. A'Yo Kato (Feat. Magic & Val) 21. Thank You (Feat. Patti LaBelle) 22. The Prayer V 23. On Top (Feat.
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It's often said that you can't teach an old dog new tricks, and that maxim certainly holds true for the self-professed of canines, on his album of the same name. For his fifth album in six years, the veteran rapper reprises many of the same themes and motifs that had made his previous efforts so popular among hardcore rap fans and influential among his East Coast peers.
As usual, he barks at his unnamed adversaries over hard-hitting beats, flexes his rhetorical muscle with his ever-confrontational rhyme style, advocates valor and faith while disdaining materialism, and frames his world within a polarized context, drawing a bold line between 'dogs' and 'cats.' By this point, the scenario should be familiar to those who've followed this far into his career; in many ways, his albums are mirror images of each other, in terms of drama, production, ideology, sequencing, and thankfully, to an extent, quality. However, the initial impact that made with his tremendous and industry-changing debut, (1998), lessened with each successive follow-up, and is no exception. It's a well-crafted and thought-out album but feels like a sequel, and as such, it serves its purpose: to satisfy fans and move units. The anthemic lead single, 'Where the Hood At,' is precisely modeled after previous rallying calls like 'Ruff Rider Anthem,' 'What's My Name?,' and 'Who We Be.' Likewise, 'Get It on the Floor' is a trademark club-banger - and a remarkable one at that, perhaps one-upping even 'Party Up (Up in Here).'
Closes sentimentally: 'Don't Gotta Go Home' is a fractured-relationship duet with that's prime urban crossover material; 'A'Yo Kato' is a heartfelt ode to a lost dog with a shuffling, almost Latin beat by; and 'Thank You' is a rousing gospel-rap tune featuring that's surprisingly effective and closes the album with magnificent flair (if not for the obligatory bonus track). Yet it's a long road to this sentimental closing run; for every one of the aforementioned highlights, there's at least one, if not two, run-of-the-mill tracks that warrant no more than a couple listens. Not quite the big comeback needed at this point in his quietly sagging rap career, regardless has its share of highlights.
Longtime fans may decide to drop off at about this point, if they hadn't already, while those content with the usual - or new to - should find plenty to savor on.
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